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【】eddle agesexceptinrussia,osaiters hadfoundarefugeafterthefallofnstantinopleandntinued tooanttheheorthodoxhesuntil thedayofthebolsheviki,hereothebuilding ofhes. ofurse,thediaevalpainteruldxhisloursh theeroftheplasteruponthewallsof thehes.thisthodofpaintingupon``freshplaster ing auries.today,itisasrare astheartofpaintingniaturesinnuscriptsandang thehundredsofartistsofourdecitiesthereisperhaps oneediuuessfully.butduringthe ddleagesthereherheartistswere ``fresethier.thethod hoaidisadvantages.veryoftenthe plastercaoffthepness spoiledthepictures,justasdanesshepatte inableexpedient togetathisplasterbaix theirlourshhhoneyandh thestickyethodsisfactory. forrethanathousaheseexperints ntinued.inpaintileaves ofnuscriptsthediaevalartists etlargespacesofoneh paintick,theydidnotsueedverywell. atlast,duringthefirsthalfofthefifteeury,the probleesoutheherlandsbyjanand hubertvaneyishbrothersxedtheir painttouse oneoranythingelseasabackgroundfor theirpictures. butbythistithereligiousardouroftheearlyddle ageshingofthepast.therichburghersofthecities hebishopsaspatronsofthearts.andas artinvariablyfollohefulldinnerpail,theartistsnowbegan toployersandpaintedpicturesfor kings,franddukesandforrikers.hinavery shortti,thehodofpaintinghoilspreadthrough europeandineveryuntrytheredevelopedaschoolof specialpaintingheteristictastesofthe peoplefortheseportraitsandlandscapesade. inspain,forexale,velasquezpaidwarfs andtheheroyaltapestryfactories,andallsorts ofpersonsandsubjeectedhthekingandhisurt. butinholland,rerandtandfranshalsandverer paihebayardofthertshouse,andtheypainted hisratherdoptiouschildren andtheshipshish.initalyon theotherhand,aihelargestpatron ofthearts,chelangeliontiopaint donnasandsaints,hearistoy he kingshadbeeupperstie,theartistspainted distinguishedgentleneersofthegovent, andverylovelyladiesajesty. thegreatgeinpainting,eabouththe oftheoldchurdtheriseofaney, sofart.theiionofprinting haddeitpossibleforauthorstoeaation byultitudes.inthiswayarose theprofessionoftheandtheillustrator.butthe peopleoneyenoughtobuythene thesorteofnights,lookingattheceiling orjustsitting.theyused.thefeinstrels oftheddleagesandfor eainnt.forthefirsttisiheearlygreekcity statesofthousandyearsbefore,theprofessionalplay hadaiddleageshad knoerelyaspartofhurelebrations. thetragediesofthethirteenthandfourteeuries hadtoldthestoryofthesufferingofourlord.but durieeurytheadeits reappearaistruethat,atfirst,thepositionofthe professionalplayandactoraveryhighone. shakespeareofusfellow usedhisneighboursedies. butheyear1616hehadbeguntoenjoythe respectofhisneighboursandactorss ofpolicesupervision. snteorary,lopedevega,theincredible spaniardehan1800worldlyand4ious plays,hepapalapproval uponhisan, edpanionshipofnoneless thankinglouisxiv. siheheatrehasenjoyedaneverincreasing affeoofthepeople.todaya``theatreispart ofeveryaofthe vieshasperatedtothetiofourprairiehaets. a,hoethestpopularof all.thatusisdendeda greatdealofteicalskill.ittakesyearsandyearsofprae beforeourandsof thebrainandreproduarble. ittakesalifetitoleahooactorhooeagood novel.andittakesagreatdealoftrainingoofthe publiiatethebestinpaintingandingand sculpture.butalstaeonedeaf, folloosteverybodyentoutof sosortofsic.theddleageshadheardalittlesic butithadbeeirelythesiftheh.theholy tsandharny andsoonthesebeotonous.besides,theyuldnot arketplace. therenaissane intoitsoan,bothinhishappinessand inhissorrows. theegyptiansandthebabyloniansandtheajews hadallbeeloversofsic.theyhadevenbined differentinstruntsintularorchestras.butthegreeks hadfrohisbarbaricfnheylikedto hearanreerandpindar. they ...