第80节
【】iryportantplaeselife houtdefinitereasonsforit.first,theeseartistidliterarygenius,h thinksiionalnosphere,is especiallysuitabletotheingofpoetry.theirteristiiusforntra, suggestion,sublitionaration,forprosehinthe allits,kesthe.if,asbertrand russellsays,”inarttheyaitbeingexquisite,andinlifeasbeingreasohen itisnaturalfortheoexpoetry.esepoetryisdainty.itisneverlong,and neververypoilyfittedforprodugperfectgeof sentintandforpaintingagicalsery,aliveic beautyandinfordhspiritualgrace. theenorofesethought,too,enuragestheingofpoetryasthe highestentof theallroundn,andphasizestheunityofknowledge.very spees,likearchaeology,arefeheesearchaeologistsalways reinhun,ilyorinthepeartreeintheir urtyard.poetryisexactlythattypeofcreationansfacultyof generalsynthesis;inotheransabilitytolookatlifeasawhole.where theyfailinanalysis,theyaportantreasoryisessentiallythoughtlouredotion,andtheesethinkalways otion,andrarelyereactthatthe aybe seeninsuchexpressions,”abellyfulofessaysor”ofscholarship.”noe psyotions,andasnoone thinkspletelyotioobelievethathinkhthebelly asoreetionalthetypeofthinking,therearethe iinesresponsibleforohoughts.isadoradunsaidaboutens thoughtsinatingintheabdonandtravellihoughts iheheadandtraveldorueoftheese.thisrroborates theoryaboutthefeninityoftheesendchapteriii.whereaswesayin englishthatan”ransackshisbrain”forideasduringaposition,wesayin esethathe”ransackshisdryiinesfoodlineofpoetryorprose.the poetsutungpoonceaskedhisthreenesafterdinnerhisbellyntained. thecleverestone,chaoytin,repliedthathehad”abellyfulofunseasonable thoughts.”theeseegoodpoetrybecausetheythinkhtheiriines. further,thereisarelatiory.poetryshouldbe crisp,andtheeselanguageiscrisp.poetryshouldion,andthe eselanguageisfiillofntrasorethanean. poetryshouldexpressideasbyeigery,andtheeselanguagerevelsin agery.finally,theeselanguage,hitsuttonesanditslackof finalnsonants,retainsasonoroussingingqualityonal languages,eseprosodyisbasedonthebalaonalvalues,asenglishpoetry isbasedohefourtonesaredividedintothe”soft”tonescalled ping,longaicallyevenbutreallyulex,andthe”hard”tonescalled tsek,ofacute,graveandabrupttohelasttheoreticallyendinginp, t,&s,odendarin.theeseearistraio seherhythndalteationofsoftandhardtohistonalrhythsobserved eveningoodprose,hefactthateseproseis”singable”seepage 219.foranyonebeeasilysensedinruskinsor erpatersprose.observethentrastbetween, n,ngand,kinruskinsings,andthistotal rhythanbeeasilyanalysed. inaltahisalteationisquiteplex,asinthefollowing ”regular55sche”o”standingforthesofttonesand”standingforthehardtones. inreadingthefolloofeelthentrasting effect,givingthesaysafinal,reorlessabrupttone: fi.oooorhy \2.ooorhy 3.ooo {4.oooorhy f5.oooo \6.oooorhy 7.ooo 8.oooorhy afterthefourthsyllableineachlihereisahiatus.eachtauplet bytheelves,andtheddletustberealuplets,i.e.,allthewordsin eaestbebalancedagainstrrespondiherlihintone andaning.theeasiestagiwo interlocutorsspeakingtooher,eachspeakingaliakethefirstfourandthe lastthreesyllablesofeaeasttwo englishheresultisapatteasoutlinedbelow. aah,yes bbut,no abut,yes bah,no aah,yes bbut,no abut,yes bah,no noticethatthesendinterlocutoralriestouhefirst,hefirst alakesupthethreadofthesendinitsfirstunitthe”ahs”and”buts”but variesthesendunit.theexarksrelyservetoindicate thattherearetkindsof”yeses”and”noes.”noticethaththeexception ofthesendunitofthefirstupletalltheunitsareproperlybalaone. butoreiedintheieiqueandspiritofesepoetrythanin itsprosody.byagicrealfbeautyhowdid itthroandatsphereoveranordinarylandscapeand,hafew otionhowd ...