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【】os.itbeganhliang haoieenniies,butlyaggravatedoraeleratedafter1917. aniaforaywellbe regardedasanaggravation,butthestyleintroducedissntotheese languagethatitotlastthissituationisespeciallybadintranslationsn erousastheyareunintelligibletotheaverageese reader. actually,suitiesareperpetratedbytranslatorsfoootherreasonthantheir insuffitsteryofthefnlanguage,totranslatewordby edeparishas actuallybeentranslatedas”parisianaginealsothegrotesquenessof translatinglongenglishrelativeclausesfolloheirasintoese, htherelativeclausesexistinesegedintoalongstringof difiersextendingoverseverallinesbeforeiningtotheodify. ents,liketheintroduoftheloose nstru.ainclause shantgo,ifitrains,itisheprosesochre suppleandflexible. erivalanynationallanguage inpoodeenglishproseisdistinguishedbyahealthy xtureofnelyenglishlanguage,and oreexaeaning,takenfroheronic heritage.atenlanguagehnsiderssuchexpressionsas”anosefor nehebhedriftoflanguage,””ridingoideof suess”and”lloydgeesflirtationshtheiveparty”asgood, standardenglishstreinavirileliterarydiuafalseliterarystandardh the,tide,etdenforcessubstituteslike appreulations,te,statoncelosethis virility.thetpos,eandabstragreatriessin theeselanguage.itsbasitureishroughout,likethe anglosaxoeraryheritageofthealliteraturehasleftbehind avoeaning,othe roureofthesetentsinthe handsofatrueliterarycraftsnthereergeaproseofthegreatestpower ay. viii.poetry itseefairtosaythatpoetryhasenteredreintothefabrifourlifethanithas intheandisnardedusedindifferencesquite generaliioned,allesescholarsare poets,orpretendtobe,andfiftypertofthesofascholarsllectedworks usuallynsistsofpoetry.theeseierialexanations,eversiang period,havealpositionofpoeaasof literaryability.evesetis thetalentedgirlstheelves,oftensorengthofafew linesofreallygoodpoetry.orreceivedextra urtesybytheirabilitytoenin poplishntandthesurest andeasiestansliteraryskill.reover,esepaintingisclosely edhesepoetry,beingakintoit,ifnotessentiallyidenticalhit,in spiritandteique. tond,poetryhastakehefunionina,insofaras religionistakentoanaanssoul,afeelingforthesteryand beautyoftheuniverse,andafeelingoftendeessandpassionforones felloblecreaturesoflife.religionotbe,andshouldnotbe, anythiion.theesehavenotfoundthis inspirationorliviionintheirreligions,arerelyderative patchesandfrillsveringtheseasideoflife,havinglargelytodohsiess ah.buttheyhavefoundthisinspirationandliviioniry. poetryhastaughttheeseaviehroughtheinfluenceofproverbs aedintosocietyingeneralandgiventhesenseof passion,anoverfloure,andanattitudeofartistieof life.throughitsfeelingfoatureithasoftenhealedtheheirsouls,and throughitslessonofenjoyntofthesilelifeithaskeptasaneidealforthe etisitappealstotheirrontidgivesthe viotionalupliftfrohehurutisit appealstotheirfeelingofsadness,resignationaraint,andsestheheart throughtheartisticrefleofsorrotolisteo thesoundofraindropsonbananaleaves,toadrethechieyskeofttages risingandnglinghtheeveningcloudslingonahillside,tobeteoward theeliliesorypath,andtohearinthesongofthekoothelonging ofatravellerforhistheratho.itgivesthekindthoughtforthepoor teapiulberryiden,forthesecludedandforsakenlover,for thetheryservionpeoplewhose livesareharassedbyapaiionhnature, toaevisiblyflyingahe droningoftheadaiofeelsadnleaves,and”to lookforlinesofpoetryinsnoayhe ansreligion.ihardlythinkthat,houttheirpoetry梩hepoetryofliving habitsashepoetryofothis day. yetch ...