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hisranslated.gorky,bridgingacrossthetwoperiods,is,of urse,,popular.eroshenko,andreyevandartzybashevarealsopopular,dueto lusinsinfluenandforthingsrussianybe ntiohetthattythreeoutofthebarelyoverhundred postrevolutionarypa aboutthesati,includingfourultaranslations. angtherepopularaybentiollravontuin anddieraubtr}.representedalsoarelessingnnavonbad.freytagdie joualisten,heinebuderselected,anddieh&rzreise}....dela ttefouqusiehreetranslatiorely popular,hauptnnisknhhisdiexfdtrroth&hn,dtrbiberpelz, einsansandhisreovelderkttzertonsoanatranslations, eofagazine.angothersare suderannsfrauseandreden andleonhardfrankskarlundanna apartfrofehars.stoarktwainand jaerioredeehthetideofrussian nistliterature.thirteenofhisranslated,andinthiscategory yalsobentionedchaelgoldsshortstoriesandhisnovel,jehout ney.sinclairleai,andtheodoredreiserbya voluofshortstories,althoughbotharewoofeugeneoneillsplays beyondthehorizonandthonofthecaribbeeshavebeentranslated.pearls, bucksthegoodearthexistsiiitranslations, storieshavealsobeentranslated. thetideofrussiaureorabout1927entofthe nankinggoventandthesuppressionofthenistvent.for,like literaryjabitisnengland,, literarybolshevisnundatedaafterthesuessofthenationalistrevolution. thetrendousyouhusiasakethenationalist revolutionin19267areality,htheofficial suppressionoftheyouthventbythekuontang,andaprocessofintroversion tookplace.astrongundercurrentageneral dissatisfapetcall atoncefoundalargefolloeoutof dateoveight,anden.”youngawas disgustedandrebelled.stintellectualleadershadleaedtokeepquietandstarted llegcuriosandoldseals.hushihntihunderandtoroar,buthis parativelyapatheticaudiehingverych reradical.ghoutsojen,yutafuanduch individualiststojoihrong.lusinfought,resistedthetideforayearandthen over. intheshortspaceofhardlyteraryworks, longandshort,arketent uldquiteothesituation.theseincludehefollohors: lunacharsky,liebediensky,chels,fadeev,gladhov,kollontay,shishkov, ronov,pilniak,ognyov,sosnovsky,shaginian,yakovlev,alexeitolstoy, dedov,erenburg,arosev,babel,kasatkin,ivanov,iva,luuts,sannikoff, seyfullina,bakhtev,fedin,serafivitch,prishvin,senov,sholokhov,nvnv, vessely,zosanov,andfigner.wehave ottedtontion,ofurse,the”greatrussians”ofprerevolutionarydays,like pushkin,tiliarto thereadingpublihekovspleteranslated;tolstoyisknown throughtyofhishelongranslatedinpart only,annakarnaandtheresurre;dostoievskyisagreatfavouritesevenof hiseandpunishnt};turgenievhadlongbeenknown tyoneofhisranslated.gorky,bridgingacrossthetwoperiods,is,of urse,popular.eroshenko,andreyevandartzybashevarealsopopular,duetolusinsinfluenandforthingsrussianybe ntiohetthattythreeoutofthebarelyoverhundred postrevolutionarypa aboutthesati,includingfourultaneous translationsangtherepopularaybentioneddakollontays redlovetentthreetranslations,ognyovsdiaryof anistschoolboythreetranslations,artzybashevssaranslations, thevariousovitdpilniak,theplaysofshishkov,ivanovandthe alharsky. chaptereight theartisticlife i.theartist ithinkofallphasesoftheesecivilization,eseartaloneakeany lastingntributiontothecultureofthe,ithink,be seriouslyed.akeaensions, althoughtheedih anddisveries.pressiononthe ,h areallphysicallynditiohedecreaseofbodilyenergy,eversuitthe perant,hitsaggressiveexuberandvitality. forthesareason,theesesocialanizationthe. nfuatteroffatoononchalant,andbuddhisoo ivetosuittheepositiveoutlookonlife.nopeoplethataredailysending ixtoexplorethenorthpoleorheairorbreaksp ...