第95节
ina,thatthe inineforsinspirationforthehighestideal ofperfectrhythelyhappy iingadragonfly,afrog,agrasshopperorapie observation,itseethereforethatthespiritoforesensual,re passionate,refulloftheartistsoore oreinharnyayexpressthis differencebyusizslanguageaadsayingthateseartis apollonianart,ousdifferenceis possibleonlythroughadifferentuandingandappreassuch. sofartarsofrhythnhasnotplayedthedonantrok hasalings.curiouslyenough,thiscultof rhythrathedevelopntofesecalligraphyasanart. thestrangepleasurederivedfrotelatingapictureofbarrenrocksdoneina ferokesandhungontheobelookedatdayinanddayout梩hisstrange pleasureeuandabletothehehasuoodthe artistientalistheplaalligraphyin andrhythractthataysayithas providedtheesepeoplehabasicaesthetiditisthroughcalligraphythat the.itistherefore iossibletotalkaboutesearthoutuandingesecalligraphyand itsartistispiration.thereis,forinstaoypeofesearture, ple,onyandforbr> isnotdirectlyderivedfroertaintypesofesecalligraphy. thepositionofesecalligraphyioryoftheisthustruly unique.ooresubtleandre respohanthepen,calligraphyhasbeeedtothetruelevelofanartona parhesepainting.theesearefullyahisheyregard paintinganding alstanindividualh.should therebeaquestionastoheansedlybe infavourofcalligraphy.ithasthusbeeanartcultivatedepassion aion,dignifiedbyasas paintingitself.itsstandardsarejustasexag,anditsstershavereachedheights asunattaihenrunofnasthestersinotherlihegreat esepainters,liketungchigandgfu,areusuallygreat engfu1inese painters,saidofhisoing:”rocksarelikethefoipostyleofingh hollohestrokes,areesarelikethestyleofingh relativelyevenahodofpaintii fundantalstrokesofing.ifthereisohis,hewill realisethatthesee.” itseetothatand position,standsiiontopaintingaspuretheticsstandsiionto engineeringorastrono.inappreciatingesecalligraphy,theaniirely fotten,andthelinesandforareappreselves.inthis cultivationandappreciationofpureposition, therefore,theairedevotiontopurefors such,asapartfrotent.apaintinghastonveya,butaten charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree field,everyvarietyofrhythasbeeeduponaypeofstructure hasbeenexplored.theientpossible,andtheeseters,heoretically squarebutareposedfroheoddestelents,presentaninfinitevarietyof strusustsolveforhielf.thus,through calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike force,suppleness,reservedstrength,exquisitetendeess,sness,ness, ssiveness,ruggedness,araintorfreedoandasregardsforheistaught toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and sotiseveyinslouessularity.thustheartofcalligraphy providesasofaesthetiiationayhe basesofesenotionsofbeauty. asthisarthasahistoryofhousandyears,andaseveryertriedto distinguishhielfbyaructure,therefore,incalligraphy,if inanythioftheeseartistid. certaintypes,suchastheyularityorofaforevertoppling structurethatyetkeepsitsbalance,heeersbytheirfinesse,all theresobehtypesarenoteasilyseeninotherfieldsofeseart. isofsignificetotheisthefactthat,notonlyhasitprovidedthe aesthetiisticipleaybe stfruitfulofresultsoodandapplied.asstated,ese andforandithasdoneso byderivingitsartistinature,espeals梩 hebranflohafehespringing bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the sihofthehorse, ...