第99节
【】andeoested,herepliedbyasking, ”didthebaoogrotoanother”su,er a,specializedinpaintingbaoos,aheonce said,”ieatinalsthangoboosin house.”hisbaooyle”of”runningscript,”asplashofink annerofpaintidrunkand,afterdinner,under thestilationofalholened,diphisbrushintheinkand boos,orpoetryastheinspirationatter onhishostshishardly translatable:”sproutsefroydryiines,istenedbylungsandlivergroboosandrocks.sofulloflifetheygrohattheyotbe restrained,andsoianyoursnoeingwas nolonger”painted,”but”ten”liketers.zu,too,oftendidhis paintingsuheinspirationof heinrporatedintohisontary stilationuldhavebeenacplishedonlyies, afterhealholitwouldhavealreadyvanished. backofallthisdrunkenness,h. theountofveryprofound artisdistinguishedbets,k9orthe innerla,andjz,ortheartistsoion.the”scholarspainting”was aprotestagainstslavishverisilitude,ofogivequotations, froheearliesttodetis.thesungsphasizedespeciallyli梩he innerspiritofthings.reaercialartists, eofanartshouldaitcatgthespiritit eredrunkenness. butthefahpaintingheofprofessionalartistsbutofscholars atplay,ateurisenabled theodealhpaintinginalightandpleasantspirit.ftheeleventh tury,hereburstofthespiritof”scholarspainting,”such paintingohsior”playeofthescholars ood,likecalligraphyandlikepoetry.therewasno heavinessofspirit.itseedasifthesasteryofthe brushincalligraphy,hadanexuberanceofenergyoartasa pleasantandiingge.theterialequiphesa sebrushesandthesainkander,andtheyherebefore hisdesk.foopaletteifei,ohegreatestofscholarpainters, sotisusedevenarollofpaperforhisbrush,orthepulpofsugare,orthe stalkofalotusfloeandthereagithescholars ”ediossibletotheseartists.forthtyhad steredtheartofnveyingfundantalrhyth,ahingelsewas sendary.therearetodaypaintersakesketcheshtheirbarefingers,and oneevenobiletongue,dippedininkandligthepaperashedra\vs along,paintingillis,thesreation. thisplayingodatsforacertainqualityofesepainting,calledyi.the aybeusedto dehesati”rontid”thespiritoftherecluse.”itisthisquality oflightheartedandinguisheslipospoetry.thisyi itive59or”recluse”qualityisprizedasthehighestqualityofthescholars paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe hunspirittogetathedru thisdesireisuandableuholarsspiritwas restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe fugitivespiriti.doicarehertheyareexactoot,herthe leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he said:”anticbrush, notinteopyreality,butrelytopleaseself” oneshherefore,ineseinkdraanfiguresand landscapesofthesouthesertaininfluenalligraphy.first,ohe sicstrokes.iinglihepine treeohesaprincipleoftingusedineseings.tungchig saidaboutpaintihateverylineshouldtallalong,andhihsaid ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso saidthat”,theyshouldapplythelaherunningscript,the lishu,andthearript.”oneseesalsointheholloherocksa typeofsalledfeipo,any hollohetreofthestrokes,aheenthe treesthehesealter.forthisisasecretleftusbyghao ngfuhielf.further,theartistiportantcalligraphic principle,forproperspagistheveryfirstlaatedbypao shenpo.ifthespaybesaed,as ybeseeninyiiyujensatterineseingifthe ntouroftheterisurical,butispagisanunfivable offeurecraftsnship. andnizesfurtherinthesileunityofdesignofesepaintingsth ...